Vu sur l'incontournable site du Graffiti reasearch Lab : un clip qui envoie du très lourd en light tag dans les rues de NYC à coup de Bentley tape à l'oeil, de gourmettes en or et de sirène de police retentissant dans la nuit. Plus d'info sur le site du GRL et plus de photos sur FuckFlickr.
On vous avais déjà parlé de cette sublimissime chaussure"made of Japan" réalisée par Freedom of Creation pour la marque Onitsuka Tiger company. En voici aujourd'hui les secrets de fabrication !!! + les goodies dérivés en porte-clé et clé USB particulièrement bien sentis.
Créé par le designer italien Edoardo Carlino, le lit "Hi-Can", comprenez "High Fidelity Canopy", est ce qu'il se fait de mieux dans le domaine. Doté de stores, ventilation et éclairage intégrés, d'un écran de projection mobile et d'un équipement multimédias complet, le lit "Hi-Can" pour fera passer aux cinéphiles des weekends de rêve sous la couette.
"Quasar is an immersive light and sound space made from prototype membranes and realized as an interactive light/sound object and comprised of a dense array of interlinked elements describing an intricate three-dimensional structure. The gallery is fitted with sensors that draw real-time data from the installation and the people within the exhibition, which is then synchronized with streamed real-time data of solar activity and nuclear processes provided by SLAC and NASA. This information is then fed back into the object through layers of LED strands, re-visualizing the space in order to create an interactive spatial experience." Quaser will be exhibited at SCI-Arc until 9th March 2008.
"Cloud" is a monumental kinetic installation hanging suspended in the Great Hall at the Ontario Science Centre. One hundred identical sculptural elements, arranged in ten by ten grid, are rotated at slightly differing speeds by computer-controlled motors. The elements slowly shift in and out of synchronization. When the motors are just out of sync, huge waves ripple across the space.
When completely in sync, the work appears almost solid then suddenly almost invisible. When far out of sync, the sculptural elements float in apparent chaos. Cloud creates constantly shifting fields and patterns in the space of the Great Hall, playing with the tension between chaos and order, between scientific theory and human experience, and between objectivity and subjectivity.
